Master Any Lighting Setup With The Help Of set.a.light 3D


4/18/2018 ISO 1200 Magazine 0 Comments


Street Photography - Today Pierre T. Lambert is sharing his street photography tips in Tokyo Japan - what settings to use for street photography and what gear. How to approach images you want to capture.

The camera you use in Street Photography is really not that important. It's really all about how you view a scene and approach it. The settings that I share here are really made for you to concentrate on your image VS your camera.

Settings I use 90% of the time:
  1. - Camera mode: Aperture priority (A), f/2.8 for shallow depth of field or anything above f/5.6 for cityscapes & scenes. 
  2. - Minimum shutter speed: 1/250s for most days, 1/500s for fast objects/cars/bikes... 
  3. - My ISO range: 100-12800 (I'm lucky)
  4. - Blurry crowds shot handheld: 1/5s, 1/4s anything below gets very tricky handheld! 

Which Image Do YOU Prefer?! (tap right) šŸ¤­ šŸ”„Video alerts: Start Crushing your Street Photography link in bio šŸ‘‰ @pierretlambert — So we’re in Japan right now šŸ‡ÆšŸ‡µ. This Place is INSANE, it’s like the 22nd century. For some reason it’s also PARADISe for Street Photography. So this feed is about to get a LOT more urban for the next few weeks! We’ll be back to landscapes and tropical vibes very soon :) Let me know how you enjoy that! — Shot at 70mm, ISO 100, 1/1000s and f/5.6 Edited with my urban city presets and customisation. Would you like to learn more about my presets? PS: I was in A mode with auto ISO and min SS to 1/500s. — #streetdreamsmag #widenyourworld #inspirationcultmag #mkexplore #huffpostgram #aov#streetphotography #thecoolmagazine#shotaward #way2ill #japanphotography #exploretokyo #japan #tokyo #peoplescreatives #exploretocreate #shibuya
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About Pierre Lambert:

I got an engineering degree for fun. Now I'm into sharing my Real passion/job/life: Photography. Btw, I'm on a world tour with my awesome wife & here is our vlog. Let's Get Connected: Twitter | Instagram 

Text, image and video via Pierre T. Lambert

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