Art and Science: How Fabian Oefner creates his spectacular color images in his studio

11/03/2013 ISO 1200 Magazine 0 Comments


Euromaxx meets him in his studio in northwestern Switzerland where he creates spectacular color images. Oefner is on an never-ending quest to capture dramatic, split-second reactions that one otherwise wouldn't see. Read more: www.dw.de

Liquid Jewel Via behance.net
Iridient
Dancing Colors
Millefiori
 About photographer:

Fabian Oefner (born 1984, Switzerland) is a curious investigator, photographer and artist, whose work moves between the fields of art and science. His images capture in unique and imaginative ways natural phenomena that appear in our daily lives, such as sound waves, centripetal forces, iridescence, or the unique properties of magnetic ferroliquids. His exploration of the unseen and poetic facets of the natural world is an invitation, as he says, “to stop for a moment and appreciate the magic that constantly surrounds us.”

Oefner’s photographs have been exhibited in various countries and are part of private collections around the globe. Besides pursuing his own projects, he also collaborates with influential international brands on ad campaigns and art projects. He works and lives in Switzerland.

Text via fabianoefner.com

"Black Hole" series: 

I watched this behind the scenes video a few months ago at www.thisiscolossal.com


"Black Hole" is a series of images, which shows paint modeled by the centripetal force. The setup is very simple: Various shades of acrylic paint are dripped onto a metallic rod, which is connected to a drill. When switched on, the paint starts to move away from the rod, creating these amazing looking structures.

The motion of the paint happens in a blink of an eye, the images you see are taken only millisecond after the drill was turned on. To capture the moment, where the paint forms that distinctive shape, I connected a sensor to the drill, which sends an impulse to the flashes. These specialized units are capable of creating flashes as short as a 1/40000 of a second, freezing the motion of the paint.

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